Café Weltschmerz

De kritische Amerikaanse journaliste van Democracy Now! formuleert het aldus:

Propaganda. Many use the word when talking about countries like North Korea, Kazakhstan, Iran — countries viewed as authoritarian through the lens of the Western media. Press Freedom. Freedom of Thought. People use these terms when talking about countries like the United States, France, Australia. Democracies. 

In 1988 Noam Chomsky co-authored a book with Edward Herman called ‘Manufacturing Consent.’ It blasted apart the notion that media acts as a check on political power, that they inform and serve the public so that we can better engage in the political proces. In fact media manufacture our consent. They tell us what those in power need them to tell us so we can fall in  line. 

Democracy is staged with the help of media that work as propaganda-machines. Media operate through five filters. The first has to do with ownership. The first has to do with ownership. Mass media firms are big corporations. Often, they are part of even bigger conglomerates. Their end game? Profit. And so it’s in their interests to push for whatever guarantees that profit. Critical journalism takes second place to the needs and interests of the corporation.

The second filter exposes the real role of advertising. Media costs a lot more than consumers will ever pay. So who fills the gap? Advertisers. And what are the advertisers paying for? Audiences. And so it isn’t so much that the media are selling you a product — their output. They are also selling advertisers a product — YOU.

How does the establishment manage the media? That is the  third filter. Journalism cannot be a check on power because the very system encourages complicity. 

Governments, corporations, big institutions know how to play the media game. They know how to influence the news narrative. They feed media scoops, official accounts, interviews with the ‘experts. They make themselves crucial to the process of journalism. So, those in power and those who report on them are in bed with each other.

If you want to challenge power, you’ll be pushed to the margins. Your name won’t be down. You won’t be getting in. You have lost your access. You have lost a story. When the media — journalists, whistleblowers, sources — stray away from the consensus, they get ‘flak.’ That is the fourth filter. When the story is inconvenient for the powers that be, you’ll see the flak machine in action discrediting sources, trashing stories and diverting the conversation.

To manufacture consent, you need an enemy — a target, That common enemy is the fifth filter. Communism. Terrorists. Immigrants. A common enemy, a bogeyman to fear, helps corral public opinion. Five filters. One big media-theory. Consent is being manufactured all around you all the time. 

https://www.youtube.com/watch?time_continue=264&v=34LGPIXvU5M&feature=emb_logo 

Ik herinner de lezer hier nog eens aan omdat een aantal van u mij gevraagd heeft lid te worden van de Facebook-pagina van Café Weltschmerz. Ik doe dit niet omdat de man die dit initiatief is begonnen, en mij had uitgenodigd eraan deel te nemen, Max von Kreyfelt, mij verbood om oud hoogleraar internationale betrekkingen Kees van der Pijl te interviewen over zijn uitspraak dat Israel betrokken was geweest bij de aanslagen van 11 september 2001. Von Kreyfelt was eerder belaagd door de zionistische lobby en werd bang dat allerlei rechtse figuren, die hij voor zijn programmering heeft uitgenodigd of als financier nodig heeft, zouden afhaken. Niet zij, maar ik als onafhankelijke journalist ben afgehaakt, en vandaar dat ik niet meer bij Café Weltschmerz verschijn als interviewer. Inderdaad, 'when the media — journalists, whistleblowers, sources — stray away from the consensus, they get ‘flak.’ That is the fourth filter.' Ik kom hier op terug.  

Max von Kreyfelt.