Mike Davis

Tom Engelhardt interviewt de Amerikaanse auteur Mike Davis. 'Humanity's Ground Zero.
Tomdispatch Interview: Mike Davis, Turning a Planet into a Slum (Part 1). Mike Davis, whose first book about Los Angeles, City of Quartz, burst into bestsellerdom and put him on the map as this country's most innovative urban scholar, has since written about everything from the literary destruction of LA to Victorian holocausts of the 19th century and the potential avian flu pandemic of our own moment. He has most recently turned his restless, searching brain upon the global city in a new book, Planet of Slums, whose conclusions are so startling that I thought they should be the basis for our conversation. We create a makeshift spot in the living room, my tape recorders between us, and begin. Davis has in him something of the older, nearly lost American tradition of the autodidact. In a tribal world, he would certainly have been any tribe's storyteller of choice. Midway through our interview, which is largely an inspired monologue, we are suddenly interrupted by weeping from elsewhere in the house. Casey has awoken from her nap upset. He quickly excuses himself, returning moments later with a collapsed, still sniffling, dark-haired little girl in pink pants and shirt on his shoulder. Under his ministrations she perks up, then sits up, then begins to talk, hardly less volubly (though slightly less comprehensibly) than her father. Soon she is seated inside the large plastic house, engaging both of us in a game of "big bad wolf." When she wanders off, perhaps twenty minutes later, he turns back to me and, before I can cue him on the interview (I've just checked his last words), he picks up in mid-sentence exactly where he left off and just rolls on. Tomdispatch: I was hoping you would start by telling me how you came to the subject of the city. Mike Davis: I came to the city by the most parochial path, which was studying Los Angeles, and I came to LA because, having been a Sixties new leftist and having invested a lot of time in studying Marxism, I thought radical social theory could explain just about anything. But it struck me that the supreme test would be understanding Los Angeles. Maybe I shouldn't say this, but almost everything I've written about other cities has grown, at least in part, out of my LA project. For instance, investigating the tendency toward the militarization of urban space and the destruction of public space in Los Angeles has led me to explore similar trends as a global phenomenon. Interest in suburban Los Angeles got me considering the fate of older suburbs across the country and then the emergent politics of edge cities. So, in this consistently parochial way, the world emerged from Los Angeles which, in my original project, was a mosaic of about 450 individual pieces. Let me explain: Back in the 1950s, when county welfare agencies were worried that war veterans moving into new suburbs had no sense of place, it did this big study of how many actual life-worlds there were in Greater Los Angeles and came to the conclusion that people lived in about 350 communities -- small towns, neighborhoods, suburbs. (Now, there are maybe 500 of these.) Behind my strategy for doing Los Angeles lay the thought that each of these constituent pieces had an entirely local, totally eccentric story to tell about itself, but also refracted some important aspect of the larger whole. I literally believe I could spend several lifetimes telling a story in each of these places about Los Angeles; so that was my methodology. I suppose in the process I only became an urbanist because people started calling me that. I've never actually considered myself a historian, sociologist, political economist, or urban theorist.' Lees verder:
http://www.tomdispatch.com/index.mhtml?pid=82655 En deel 2: http://www.tomdispatch.com/index.mhtml?pid=82790